SUSPENDED LANGUAGE       30 feet by 1 foot      Rigid transparent acrylic
This work was part of the series of projects born from the collaborative residency at The Technology Partnership and Wysing Arts in Cambridgeshire. When looking at programming language and solid state schemeatic diagrams, I combined these with a visit to the Fitzwilliam Museum to look at ancient languages such as cuneiform and Linear B. The result was a series of hand cut symbols made from rigid acrylic. These could be viewed in the dark using torch light. We were invited to look at the shadows (the interactive product), created by the interplay between torchlight and the material. The symbols only readable by the few were secondary to the product but without them there is no product.